Dazzled by a Shanghai Quartet concert, A Night in Ancient and New China — more about what that means in a sec. Proud it’s our “quartet-in-residence” at Montclair State, the university down the block. (“Resident” artists in Beijing and Shanghai too…OK, we’ll share.)
Their playing gets called “pitiless,” “ferocious,” “charged,” “aggressive.” We heard the intense premiere of a new “Raise the Red Lantern“(1991) film score (trailer here; it’s got everything: historic setting, sex and violence, Gong Li) revised by the composer Zhao Jiping’s son. (The father also scored “Farewell My Concubine.”) That was China new. Ancient: traditional folk pieces featuring pippa (lute) virtuoso Wu Man, pictured at top — two members knew her, as children in a Beijing music boarding school. She played Kazakh folk tunes, apparently popular in the ’60s; ancient Central Asian nomads are believed to be the original source of the pippa. You hear hoof beats, feel the openness of the steppe, as in Mongolian folk music (China’s bluegrass — having its moment when we lived in Beijing).
The Shanghai Quartet cross genres and geographies. My favorite piece was a shamanistic Tan Dun composition, “Ghost Opera (Chamber Version)” — more on Tan (his latest work puts musicians knee-deep in an ancient canal) soon. Meantime, have a listen or a watch:
If you’d like an email alert (occasionally) when there’s a new post on the US-China cultural encounter, click the “Sign me up” button in the right column and join 800 other CoplansinChina followers.